The plot never strays too closely from the formula of the first film – featuring a bumblingly naive male hero and an aging Buddhist master, with the young hero falling in love with a woman whom he does not realize for a considerable part of the film is a ghost. Producer Tsui Hark later oversaw the animated A Chinese Ghost Story: A Tsui Hark Animation (1997), while A Chinese Ghost Story (2011) was a poor remake of the original. As with the preceding two entries, A Chinese Ghost Story III brings back director Ching Siu-Tung and producer Tsui Hark, as well as the first film’s heroine Joey Wong. It was followed by the likable A Chinese Ghost Story II (1990). This was the second sequel to A Chinese Ghost Story (1987), the immensely popular film that carried the Wu Xia cycle to cult popularity in the West.
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